Writers write, as they say. That is about the only certain advice one can receive from a book on writing and life and the writing life. With a wry, self-deprecating, brutally honest demeanour, Anne Lamott informs her students that the way to become a writer is to sit down every day at the same time with a clean piece of paper or the file on your computer you’ve been slaving over for more than a year—and write. Only those who have actually attempted this will appreciate, along with Lamott, just how difficult it may be to fulfil that simple injunction. She is well aware that you will stare at the page or the screen sometimes for hours on end; that you will reconsider your decision to post-pone the fun you could have had working on your taxes; that the corner of your desk will become endlessly fascinating and just may be the grain of sand in which you will perceive the whole…yes, just about anything is more enticing, at times, than writing.
This book shares a few useful techniques to help your writing process, which I’ll get to in a moment, but what makes it one of the best books on writing that I have read is Lamott’s compassion for others in her situation. Because more than anything else, this is a book about compassion. Compassion for others, certainly, but also compassion for oneself. That, and learning the value of producing an SFD: a “shitty first draft”.
Lamott has a strong belief in the power of writing per se. If you press on, word after damn word, reaching a certain number of words per day (she suggests three hundred as a target), eventually you will complete your SFD. And here is an important tip: don’t show your SFD to anyone. The embarrassment of riches (and the stink) of an SFD should be yours alone. Fortunately, once you’ve got an SFD you can move on to the rewriting stage—because having made something, your job as a writer is to make it better. Of course making it better can take a long time. It may involve sharing your current versions with your writing group, with a trusted but critical colleague, with an editor or your agent, if you have one. The good news is that no matter how bad they think your writing is or how much further you’ve got to go with it, at least you can rest easy that they didn’t see your SFD.
By all means borrow this book from your local public library. And when you’ve finished reading it, go out and find it in a bookshop somewhere. Because you’ll want to have it on the shelf in your office to glance at when you are staring at that blank page (or screen) to remind you that, well, writers write. (P.S. If you think this review is bad, you should have seen my SFD.) Recommended.
I agree that it’s one you’d want on your shelf. I just re-read it recently, and was thinking that it might not “hold up”, but I found just as much of value in it the second time around, years later. (Nice chuckle at the end re: your SFD of this post.)