Just the essentials, please!

There are a lot of useful documents available on how to get an open source project up and running. This short briefing note from Ross Gardler at OSS Watch is excellent: Essential tools for running a community-led project. Ross has years of experience in such projects, notably those that are part of The Apache Software Foundation. He has boiled down some of that experience here into just the nuggets of pure gold (as I mix my metaphors egregiously).

One of the things that I think Ross gets completely right is his stance on communications. He writes:

A second communication channel should only be created when the traffic on your first channel is sufficiently high to justify the split.

Absolutely! Nothing more than is necessary. Best to just head over now and get Ross’ take on these things. And while you are there, why not visit some of the other fabulous resources that OSS Watch has to offer.

On a Monday!

No one expects a fabulous evening of words and music on a Monday. I certainly do not. But I like to go out to the book readings that Words Worth Books publicises even if they are on a Monday night. I rarely know the authors that will be reading since they usually come from small presses. But I consistently find at least one or two that warrant further scrutiny. Tonight, however, the three authors from Blaurock Press would have each individually made any normal set of readings worthwhile. Collectively, they turned the Starlight Lounge into a literary event, a mini-happening, a pleasant surprise, and a fun night out. On a Monday!

The three authors were: S.K. Johannesen reading from The Yellow Room, Andrew Hunt reading from Dahlia Boyz, and Antonio Michael Downing reading from Molasses.

S.K. Johannesen’s hauntingly introspective novella established the level for the night. I was captured by his protagonist’s two encounters as he lives (hides?) in a yellow room in Denmark sometime toward the end of WWII. Even with such a brief reading you could tell this was highly accomplished writing. Very impressive.

Next up was Andrew Hunt who vividly read from his novella set in L.A. with loud, large characters that leapt off the page. He had the sizeable audience in stitches as one character, Skip, disrupted a reading at a bookstore of a newly published book on the infamous Dahlia murders.

The final set for the evening was indeed a ‘set’.  Antonio Michael Downing both read from his novella, Molasses, and accompanied his reading with music and song, with the help of a percussionist and singer. I’m sorry I don’t know the names of his singer or drummer – they were excellent, especially the almost ethereal singer. This was much more than just a reading. It was a full artistic performance. I only wish there had been cds available to purchase.

All this on a Monday.  Makes you wonder how the other days of the week are going to live up to the new standard.

PIO – an academic question

Previously I have been thinking about Personal Identity Online (PIO) in terms of how a consultant might shape or influence how he or she is perceived. I took that as a straightforward communications challenge and put forward suggestions on setting up a consultancy website, blogging, tweeting, and more. Now I want to turn to a couple of thorny issues for academics who are thinking about their PIOs. I want to describe two cases: (1) a well-published academic currently unaffiliated with a university, and (2) a tenured faculty member who uses a non-academic email address and/or domain name for his or her academic web page.

The days of completing your Ph.D. and walking directly into a tenured faculty position are long gone (and maybe they were only ever a myth). The norm for the academic career path in the Humanities tends to be Ph.D., post-doctoral research (if you are lucky), sessional or contract teaching (sometimes, sadly, referred to as “casual” staff), a mad scramble for publications, and then (if you are very lucky) landing a tenure-track assistant professorship, followed by another mad scramble for additional publications, high teaching-evaluations, and “service” (which includes administrative duties as well as contributions to one’s profession such as peer reviewing submissions for publication). Finally, if all goes well, you achieve tenure. And now you can set out on the longer journey toward becoming a full professor. (NB. these are terms for the progression in North America; in the UK and elsewhere the terminology and the progression varies somewhat.)

Between completing your Ph.D. at one institution and securing tenure at another, the young academic may find himself or herself employed, at one time or another, by a surprising number of academic institutions. They might even temporarily be employed by two or more institutions at the same time, for example if they were contract teaching individual courses at different institutions. There may even be times, despite one’s stellar publishing record and high teaching-evaluations, when one finds oneself between institutional employers. In that situation, how does the young academic self-identify online?

There are complications, naturally. Over the years, the young academic may have been given, temporarily, an institutional email address and quite possibly webspace for hosting teaching and other academic information relevant to one’s department. These persist as links on web pages or email addresses in colleagues’ email clients long after one has moved on. What is the half-life of an institutionally hosted academic web page? And how long will it continue to skew search engine results years after it has become inaccessible to the person who originally set it up?

The self-identification question is one on which I do not have a settled opinion. Recently there has been a move to recognise that a substantial portion of our tertiary teaching population is in some stage of the progression described above. One term mooted for such individuals is “independent scholar”. There is even now a Canadian Academy of Independent Scholars. (I think there is still work to be done on thinking this through since one benefit of “full membership” – a library card for Simon Fraser University – requires the scholar to appear “in person” in order to pick up their new library card.) Is independent scholar the best self-describer available? I have also seen individuals self-ascribe by the name of their academic group, e.g. Historian, Philosopher, Physicist, etc. That might not work so well for all groups. How would the researcher in comparative literature self-ascribe in this way?

The second case I mentioned – the tenured faculty member using a non-academic email address – could easily arise out of the academic progression I described. The itinerant academician might have found that a non-academic email address (and also a non-academic domain name for a personal academic web page) is simpler. It saves the need to request an update to one’s friends and colleagues’ email address books each time one moves on. Even once tenured the academic may find that it is easier to stay with the non-institutional email address and/or web page. (There are also cases where some institutions have less than fully reliable email infrastructure, unlike the rock solid email infrastructure we used to have at the University of Oxford. In such a case, the academic may feel it safer to give out his or her non-institutional email address.)

Again, I do not have, as yet, a settled opinion on this. Clearly, however, the two cases I am describing are related. Here all I have managed, if at all, is to describe the communications challenge. I’ll need to do a bit more thinking in order to come up with my preferred solution. But I welcome suggestions. With our universities expanding dramatically, but without a consequent expansion in the numbers of tenured faculty, my suspicion is that the above situations will be faced by increasing numbers of scholars, independent or otherwise.

Running – a year in review, 2010

I don’t just read books and attempt to write them. I also run. Not especially well or fast. But I do run. I have been doing so since at least 2002. Rather late in life to take up such exercise, but not too late. I have run every year since and kept a record of my efforts. 2010 marks a new personal best. I track total minutes running rather than distance. In 2010 I surpassed my previous best year, 2004, by 8.6 %.

Here are how the years rank. I won’t bother sharing the total minutes because those might not reflect terribly well upon me.

  1. 2010
  2. 2004
  3. 2006
  4. 2003
  5. 2008
  6. 2009
  7. 2002
  8. 2005
  9. 2007

2007 was an injury plagued year. Here’s hoping that 2011 will be injury free and full of good runs.

Reading – a year in review, 2010

2010 was a good year for reading. I discovered new authors whose work I enjoyed: Hyland, St. John Mandel, Zusak, Sawyer, Toole. I participated in a book club whose meetings were always vibrant and whose selections surprised me. I touched base with some old favourites. And I had my eyes opened by one of the greatest literary achievements, Woolf’s Mrs. Dalloway. As per usual, I have compiled a list of statistics for 2010.  See below for comparable stats and the full list of books read in 2009.

Stats from my 2010 reading list:

  • 23 were borrowed from our public library
  • 24 have Canadian authors
  • 4 were chosen due to personal recommendations from friends
  • 27 are by authors who appear more than once on the 2010 list
  • 3 were being reread
  • 1 was read aloud by my wife and me
  • 8 are non-fiction

Books read in 2010 (67):

  • Silber, Joan. The Art of Time in Fiction
  • Fforde, Jasper. First Among Sequels
  • Swan, Mary. The Boys in the Trees
  • Wood, James. How Fiction Works
  • Prachett, Terry. Unseen Academicals
  • Wood, James. The Irresponsible Self
  • Woolf, Virginia. Mrs. Dalloway
  • Skelton, Matthew. The Story of Cirrus Flux
  • Stewart, Trenton Lee. The Mysterious Benedict Society
  • Ransome, Arthur. Swallowdale
  • Cunningham, Michael. The Hours
  • Handler, Daniel. Adverbs
  • Munroe, David. The Unexpected and Fictional Career Change of Jim Kearns
  • Hyland, M.J. This Is How
  • Stewart, Trenton Lee. The Mysterious Benedict Society and the Perilous Journey
  • Hayder, Mo. Birdman
  • Patchett, Ann. Bel Canto
  • Crummey, Michael. Galore
  • Patchett, Ann. Run
  • Oe, Kenzaburo. Nip the buds, Shoot the kids
  • DeLillo, Don. Falling Man
  • Small, David. Stitches
  • Munce, Alayna. When I Was Young & In My Prime
  • St. John Mandel, Emily. Last Night in Montreal
  • St. John Mandel, Emily. The Singer’s Gun
  • Richards, David Adams. Mercy Among the Children
  • Huston, Nancy. Losing North
  • Zusak, Markus. The Book Thief
  • Wright, Richard B. Adultery
  • Clowes, Daniel. Wilson
  • Bennett, Alan. The Uncommon Reader
  • Gopnik, Adam. Through The Children’s Gate
  • Wray, John. Lowboy
  • DeLillo, Don. The Body Artist
  • Swift, Graham. Making an Elephant: Writing From Within
  • Coleman, Reed Farrel. Walking The Perfect Square
  • Stewart, Trenton Lee. The Mysterious Benedict Society and the Prisoner’s Dilemma
  • DeLillo, Don. Point Omega
  • Tyler, Anne. Noah’s Compass
  • Chabon, Michael (ed.). McSweeney’s Enchanted Chamber of Astonishing Stories
  • Proust, Marcel. In Search of Lost Time: volume 1, Swann’s Way
  • Sawyer, Robert J. Wake
  • Sawyer, Robert J. Watch
  • Stern, Sheila. Proust: Swann’s Way
  • Sawyer, Robert J. Identity Theft and other stories
  • Lehrer, Jonah. Proust was a Neuroscientist
  • Pick, Alison. Far to Go
  • Heti, Sheila. The Middle Stories
  • Gibson, William. Zero History
  • Heti, Sheila. Ticknor
  • Pick, Alison. The Sweet Edge
  • Sawyer, Robert J. Flash Forward
  • Toole, John Kennedy. A Confederacy of Dunces
  • Baker, Nicholson. The Size of Thoughts
  • Tyler, Anne. The Accidental Tourist
  • Baker, Nicholson. The Fermata
  • Baker, Nicholson. The Anthologist
  • Simmonds, Posy. Tamara Drewe
  • Palmer, Dorothy Ellen. When Fenelon Falls
  • Pym, Barbara. Excellent Women
  • Etienne, Doris. The Jewels of Sofia Tate
  • Bellow, Saul. Herzog
  • Pym, Barbara. Quartet in Autumn
  • Heti, Sheila. How Should A Person Be?
  • Ferguson, Will. Coal Dust Kisses
  • Pym, Barbara. Jane & Prudence
  • Toole, John Kennedy. The Neon Bible

Here, for comparison, is my list from 2009.

Stats from my 2009 reading list:

  • 11 were borrowed from our public library
  • 18 have Canadian authors
  • 3 were chosen due to personal recommendations from friends
  • 12 are by authors who appear more than once on the 2009 list
  • 1 was being reread
  • 6 were read aloud by my wife and me
  • 7 are non-fiction

Books read in 2009 (56):

  • Chabon, Michael. Wonder Boys
  • Bloom, Harold. How to Read and Why
  • Prose, Francine. Reading Like a Writer
  • Gaiman, Neil. American Gods
  • Gaiman, Neil and Terry Prachett. Good Omens
  • Horowitz, Anthony. Stormbreaker
  • Fforde, Jasper. The Eyre Affair
  • Moore, Christopher. A Dirty Job
  • Russo, Richard. Empire Falls
  • Vanderhaeghe, Guy. The Englishman’s Boy
  • Wright, Richard B. October
  • Prose, Francine. Goldengrove
  • Fforde, Jasper. Lost in a Good Book
  • Chabon, Michael. The Yiddish Policemen’s Union
  • Le Guin, Ursula K. Powers
  • Austen, Jane and Seth Grahame-Smith. Pride and Prejudice and Zombies
  • Hill, Lawrence. The Book of Negroes
  • Gessen, Keith. All the Sad Young Literary Men
  • Fforde, Jasper. The Well of Lost Plots
  • Furey, Leo. The Long Run
  • Clarke, Brock. An Arsonist’s Guide to Writers’ Homes in New England
  • Wright, Richard B. Clara Callan
  • Gallant, Mavis. A Fairly Good Time
  • Foer, Jonathan Safran. Extremely Loud & Incredibly Close
  • Mosley, Walter. This Year You Write Your Novel
  • Russo, Richard. Bridge of Sighs
  • Montgomery, Lucy Maud. Anne of Green Gables
  • Chabon, Michael. The Mysteries of Pittsburgh
  • O’Neill, Heather. Lullabies for Little Criminals
  • Toews, Miriam. The Flying Troutmans
  • Prose, Francine. The Peaceable Kingdom
  • Robinson, Marilynne. Housekeeping
  • Fforde, Jasper. Something Rotten
  • Baker, Nicholson. The Anthologist
  • Chabon, Michael. Gentlemen of the Road
  • Chabon, Michael. A Model World and Other Stories
  • Baker, Nicholson. The Mezzanine
  • Saul, John Ralston. A Fair Country
  • Hay, Elizabeth. Late Nights on Air
  • Chabon, Michael. Maps and Legends
  • Barbery, Muriel. Gourmet Rhapsody
  • Baker, Nicholson. The Everlasting Story of Nory
  • McEwan, Ian. On Chesil Beach
  • Montgomery, Lucy Maud. Anne of Avonlea
  • Chabon, Michael. Manhood for Amateurs
  • Coupland, Douglas. Generation A
  • Barbery, Muriel. The Elegance of the Hedgehog
  • Bicknell, Jeanette. Why Music Moves Us
  • Crummey, Michael. Flesh and Blood
  • Strube, Cordelia. Lemon
  • Burnard, Bonnie. Casino & Other Stories
  • Gaiman, Neil. Stardust
  • Lamarque, Peter. The Philosophy of Literature
  • Tyler, Anne. Digging to America
  • Chabon, Michael. The Amazing Adventures of Kavalier and Clay
  • Crummey, Michael. River Thieves